Bernard Setaro Clark
The Good Life Elsewhere is a very funny book. It is also a very sad one. In it, Moldovan writer Vladimir Lorchenkov tells the story of a group of villagers ...
The Good Life Elsewhere is a very funny book. It is also a very sad one. In it, Moldovan writer Vladimir Lorchenkov tells the story of a group of villagers and their tragicomic efforts, against all odds and at any cost, to emigrate from Europe’s most impoverished nation to Italy for work. This is a book with wild imagination and heartbreaking honesty, grim appraisals alongside optimistic commentary about the nature of human striving. The Good Life Elsewhere aims to present the complexity of a new Europe, where allegiances shift but memories are rooted in place. The book integrates small-scale human follies with strategic partnerships, unification plans, and the Soviet legacies that still hang over the former Eastern Bloc. Lorchenkov addresses the vexing question of what to do when many formerly pro-Soviet/pro-Russia countries want to link arms with their West European brethren. In Lorchenkov’s uproarious tale, an Orthodox priest is deserted by his wife for an art-dealing atheist; a mechanic redesigns his tractor for travel by air and sea; thousands of villagers take to the road on a modern-day religious crusade to make it to the promised land of Italy; meanwhile, politicians remain politicians. Like many great satirists from Voltaire to Gogol to Vonnegut, Lorchenkov makes use of the grotesque to both horrify us and help us laugh. It is not often that stories from forgotten countries such as Moldova reach us in the English-speaking world. A country where 25 percent of its population works abroad, where remittances make up nearly 40 percent of the GDP, where alcohol consumption per capita is the highest in the world, and which has the lowest per capita income in all of Europe – this is a country that surely has its problems. But, as Lorchenkov vividly shows, it’s a country whose residents don’t easily give up.
"A touching and hilarious chronicle about the age-old European yearning for one more chance. A chance that may never come ... " - Gary Shteyngart "Vladimir Lorchenkov is a highly talented imposter - painting a colorful, bright, and crazy life in a benighted post-Soviet corner of the world." - Vedmosti "This is a bleeding, wild work, grotesque in every twist of its plot and in every character, written brightly, bitterly, humorously, and ... honestly." - Krupa.ru
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